Or whatever cutesy noises you prefer.Puppywatch 2006 has begun. This is Dooley. Or Duel-y. Or Duly. I'm not certain on the spelling, but considering we only get him for one shift a day, it doesn't really matter.







I can't say that I'm pleased with the first attempt. Neither could someone else, which made for a sullen evening. I can offer some excuses. Like my fingers were twitching the entire time--some sort of dark sympathy for the character. Or that art doesn't lend itself well to murder--but that's just ridiculous. Or that I didn't give the subject its due--which hits nearer the mark.
In fact, that last has me regretting a week spent sketching outside in the irresistable weather. My legs are burned, my feet are dirty, and my ideas are all bleached out. Nothing looks good in the full light of day anyway. Or, for that matter, illuminated onscreen. So, I'm going to search out denser methods, more robust colors--maybe dabble in layers of ink. And slip away for a while until I think I can stand the glare.

March winds and April showers bring May flowers.
They're all anthropomorphized, see?
Little March winds. Carrying pipes that they never bother to play properly. Blackhaired and surly and roving like wild things. Terrorizing the pets.
Blue-shawled April with her copper watering can. Listless and moody--pale but for the running eyeliner. Muddying the rugs and wringing her skirts onto the floor before she goes upstairs to sulk.
Biddable May. Fair and rosy. Always shocked by the mess. Probably armed with a paintbrush and a mop. Accountable to Summer for the state of things.


A corner of another piece of scrap. Though I'm not to blame for it. I'm holding my mom directly repsonsible. She'd asked so sweetly to see some of my pieces, and I'd been such a testy bitch all week that I decided to make things up to her and go against my strict "no viewings until finished" policy. So I laid things out and she played nice with my terrible ego.
Until this one.
"What are those things in the corner?"
"I dunno, mom. Grass fairies?"
"Ah." Followed by the series of ticks that generally indicates the bruising of her tender, born-again sensibilities. The nervous smile and compulsive throat clearing that have been the norm since I showed her my first hobbit, grotesque and reeking slightly of magenta marker. I've never been quite sure what pointed ears have to do with the Dark Lord's work, but I packed my shit up without a word and we made pineapple horns (or should I say "crescents"?) instead.
The next morning, try as I might, I could not set pen to paper. Seems that the different strata of superstition we inhabit intersect at some crucial point.

Don't ask me--it came of its own volition. Alex walked in and practically yelped, "What the hell did you do to the Easter Bunny?", but it's not my fault.
He's been let out for a smoke break. Problem is, those muscles are too atrophied to assume any position but the one he keeps in his cage. Right leg up, left leg down, ears and hands at rest, head cocked to avoid the little fingers that find routes between the wires. Always worming, worming...
But his handler seems to think it's good for him. So, he's picked up, arranged on the back steps, and left to blink in the sun for a few minutes. Only to be put back in when his color returns and his legs start remembering their old speed.

That owl knows something's up.
Who's the woman kidding, really? No self-respecting peddlar would sport her wares so carelessly. In these days of the Roadside Outlaw, the best method is to bundle and run from town to town, fingering a charm against brigandry.
There's also something about her appearance. An awareness of the waist and a tightness of the bodice that at best hints at coquetry, at worst vanity. Neither of which lends itself to an occupation that relies on distraction and deception and the savory secrets in pockets and twisted scarves. And those earrings, and ribbons, and polished(!) buckles--storybook embellishments, and no more practical than her shoes.
But over everything is the smell. Not of woodsmoke and bog, but of expensive perfumes gone stale. Of blood and of bad magic. As hard to disguise as the gold skirts winking around her ankles. But it doesn't have to be a lasting costume--just impressive enough for an adolescent. She only needs a few moments, and then it will all be cast aside as she gloats over her Bianca (or Blanche, or Alba, or Gwynne--whatever name this particular juncture in time and place sees fit to give its Snow White).
Such a thin getup for someone who knows. The owl could warn the girl, but why? He is a bird of ill-omen after all, and the sun is just beginning to rise....

This one got away from me for a while. Probably because in the middle of the (excessively long) process I started making up stupid stories.
The girl in the middle is Mousy. Our heroine. Drab, temperamental, smart. She's poor--probably orphaned--but with some rare gift (aside from head-of-the-class status). The king likely owes her family some debt (her father saved his life, or maybe he was in love with her mother but they couldn't marry--I'm fuzzy on the specifics) and has taken Mousy in out of guilt and duty. She has the run of the castle and is included in the activities of the royal children--included, but always apart. Sigh. In their company, the dramas of her life unfold.
1. Black Haired Girl. The Bitch. Everyone knows The Bitch is always either very dark or very pale--but always lovely. Out to make Mousy's life misery. Grows up to be the comely competition.
2. Blondie. The Best friend. Quiet, unsure, timid. Beautiful, but not too bright. Devoted and demure. Vapidly religious. Outwardly appalled at Mousy's stubborn ways, but secretly approving. Smuggles snacks and gifts during the Hard Years when Mousy is forced to labor in either the stables or the kitchens.
3. Boy Standing. Some kind of wise-ass higher-up. Often partners with The Bitch to make the other's lives hell. Oh, but wait. He'll grow up to be cute and dashing, and will undoubtedly fall for Mousy at some point. Sorry though, hard-nosed girls don't go for spoiled-brat sons of viziers or dukes or whatever. He probably ends up with Blondie as consolation.
4. Sullen Boy on Wall. Love Interest, duh. Evil tempered but fair. Roams the grounds viciously defending--no, viciously tormenting--the castle geese and chickens and mice. Hates The Bitch (though she flounces around him enough, to be sure). Best friends with Boy Standing (though that relationship is weak and will eventually dissolve due to someone's betrayal). Goes off to adventure or crusade and comes back lean and scarred, and totally hot.
5. Boy Sitting. Look at that shirt. Mousy's Gay Friend.
Oh, and at some point they had a pompous tutor who fell off a wall.


It seems that my string of luck has ended. In more than one arena. I just got bored with this one. Bored. If the shit goes more than three days without being painted, I start verging on tantrum. Sometimes there are tears. I've learned to stay away from crockware after the Bent Pot Incident, but more often than not, I spend the afternoon grumping with my hand in the caramels.
Perhaps it's the green tea my grandmother gave me. I wouldn't put it past her to try to slowly poison me, crazy bitch.

The last conversation I had with my brother began like this:
Some East of the Sun, West of the Moon. Or Cupid and Psyche for those who prefer their folklore Greek. I personally like a little Northern flava now and then. Mixes things up. Cools things off. Except they beat the word "lassie" to exhaustion.
It took ferfreakingever and I may have wept a little over it at the beginning, but it became more pliant with time and the threat of scissors. Eventually, our luckless heroine even came to take on a sympathetic tint--who could not feel for her, plucked as she was from her little bed and her (however indifferent) family by a bear? (Though I suppose a pauper would be stupid to not give up his prettiest to the first talking animal that passed under the sill. If the silly girls aren't eaten outright, they're practically assured wealth and status--and, anyways, it's one less mouth to feed...).
But first she must survive the trip. In a robe and thin slippers, clinging to the hair of her stinking mount. Watching the landscape change from hard, to bitten, to barren. Leaving behind her own hearthspirits and her familiar little gods and watching a new cast take their place. Committing to memory names like wind and faces like snow while they peek from behind their bergs and eskers and furrowed lakes, eager to proclaim her an unworthy new queen.
Poor lassie.




I figured that sitting on the floor by the bookshelf, banging my head against the Norton, and crooning "better next time" over and over was getting no one anywhere. After last week's failure, I just decided to start over again. More worky, less wacky. And, walking by the piece this morning at four and giving it an appraisal with tired, unkind eyes, I realized I was right to do so.
Whatever. There's no shame in a remount. So.
But I had to draw something. This little guy took ten minutes, and while the broodiness of the whole is slightly undercut by a bouncy ponytail, it's accurate. Stupid Dove Shampoo, stupid natural curl. Always making light of my finest moods.

This picture broke my freakin' heart. But I guess there's no better nod to the mid-winter plunge than the complete overthrow of the mind and soul. Scomps!
It started off so well, and I've preserved the best, but I'll be damned before I let the rest from its interrogation cell. I don't know what happened. Perhaps I took too much time with the thing. Or too little. Perhaps it was because I was sick. I excuse myself so many other things--why not this? All I know is that, somewhere in the past week, it all slipped away. And I don't just mean the piece. There's a dented countertop that, if it had a tongue, would have nothing to say in my favor.
But I figure it would make a pretty starter page for a book, so I keep it. Pretend it was intentional. Forget the rest, but not forgive.

More Arabian Nights. Probably the last. There's a reason why they've been kept from Western anthologies: they're boring as hell. "Gulnare of the Sea" is really the best of the lot. Girl from the sea marries our Great and Irreproachable Sultan. She calls for her family. They come for a visit. Visit ends. She has a son. They come for a visit. Visit ends. Guh-huh.
Easy peasy silhouettes are harder when you're wound about in pajamas and blankets. I had a cranky time of it. Yes, booh-hoo, but, in explanation--that's a summoning fire our good Queen is lighting, not a Lucky Strike.


This past Christmas my cousin and her sister in law joined forces against me. Too much wine had made them brave and strangely keen and they orchestrated an unsanctioned hunt for my drawings. Finding what they sought, they demanded the soldier's right to booty. My escape routes had been plugged by a chubby baby and a crazy grandmother--both who demanded hugs--and I had no choice but to surrender everything to greasy fingers, stained teeth, and drunken carrion calls.
Shannon selected a Green Fairy: "She looks like me!" (Give a person a choice and they will always pick the one that "Looks like me!"). But of course, this wasn't enough:
"Jess, I'm taking this one, but I also want another. Better. Bigger. More details. More sparklies."
"Shannon, I think one is quite enough."
"And I want it before my Florida trip."
"Hey, did you hear me?"
"And I want it to look even more like me."


The same ol'. But there's been an urgency to attach a pic with every post. Dunno why. I don't think I'm dying or anything. Maybe it's a new breed of superstition. Great.
However, while the creative tides are at an ebb, I've had hours to contemplate the face of another J&J witch. She's had me stumped in more ways than one.
It's like this. Your typical crone has a motive--an unkept bargain, the unfortunate slight or two, family ambition, even simple hunger. But there's nothing here. Not a missed invitation or an ugly daughter to be found among all those empty birdcages. The best I can guess at is jealousy--the unmaker of all women. Hers is the indiscriminate rage particular to the once-beautiful. Whose loveliness has fled and clings instead to the trees and the birds, and to that silly wench with the picnic basket. She's a witch, but knows all magic withers before beauty--she can mask beauty, or accent it, but can never create it (find me a witch outside of Medea who has). So, her only option is to capture it and cloak it.
And, as truly worthy lads come around only about once every hundred years, she's got a long solid run before her.