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A corner of another piece of scrap. Though I'm not to blame for it. I'm holding my mom directly repsonsible. She'd asked so sweetly to see some of my pieces, and I'd been such a testy bitch all week that I decided to make things up to her and go against my strict "no viewings until finished" policy. So I laid things out and she played nice with my terrible ego.
Until this one.
"What are those things in the corner?"
"I dunno, mom. Grass fairies?"
"Ah." Followed by the series of ticks that generally indicates the bruising of her tender, born-again sensibilities. The nervous smile and compulsive throat clearing that have been the norm since I showed her my first hobbit, grotesque and reeking slightly of magenta marker. I've never been quite sure what pointed ears have to do with the Dark Lord's work, but I packed my shit up without a word and we made pineapple horns (or should I say "crescents"?) instead.
The next morning, try as I might, I could not set pen to paper. Seems that the different strata of superstition we inhabit intersect at some crucial point.
Don't ask me--it came of its own volition. Alex walked in and practically yelped, "What the hell did you do to the Easter Bunny?", but it's not my fault.
He's been let out for a smoke break. Problem is, those muscles are too atrophied to assume any position but the one he keeps in his cage. Right leg up, left leg down, ears and hands at rest, head cocked to avoid the little fingers that find routes between the wires. Always worming, worming...
But his handler seems to think it's good for him. So, he's picked up, arranged on the back steps, and left to blink in the sun for a few minutes. Only to be put back in when his color returns and his legs start remembering their old speed.
That owl knows something's up.
Who's the woman kidding, really? No self-respecting peddlar would sport her wares so carelessly. In these days of the Roadside Outlaw, the best method is to bundle and run from town to town, fingering a charm against brigandry.
There's also something about her appearance. An awareness of the waist and a tightness of the bodice that at best hints at coquetry, at worst vanity. Neither of which lends itself to an occupation that relies on distraction and deception and the savory secrets in pockets and twisted scarves. And those earrings, and ribbons, and polished(!) buckles--storybook embellishments, and no more practical than her shoes.
But over everything is the smell. Not of woodsmoke and bog, but of expensive perfumes gone stale. Of blood and of bad magic. As hard to disguise as the gold skirts winking around her ankles. But it doesn't have to be a lasting costume--just impressive enough for an adolescent. She only needs a few moments, and then it will all be cast aside as she gloats over her Bianca (or Blanche, or Alba, or Gwynne--whatever name this particular juncture in time and place sees fit to give its Snow White).
Such a thin getup for someone who knows. The owl could warn the girl, but why? He is a bird of ill-omen after all, and the sun is just beginning to rise....
This one got away from me for a while. Probably because in the middle of the (excessively long) process I started making up stupid stories.
The girl in the middle is Mousy. Our heroine. Drab, temperamental, smart. She's poor--probably orphaned--but with some rare gift (aside from head-of-the-class status). The king likely owes her family some debt (her father saved his life, or maybe he was in love with her mother but they couldn't marry--I'm fuzzy on the specifics) and has taken Mousy in out of guilt and duty. She has the run of the castle and is included in the activities of the royal children--included, but always apart. Sigh. In their company, the dramas of her life unfold.
1. Black Haired Girl. The Bitch. Everyone knows The Bitch is always either very dark or very pale--but always lovely. Out to make Mousy's life misery. Grows up to be the comely competition.
2. Blondie. The Best friend. Quiet, unsure, timid. Beautiful, but not too bright. Devoted and demure. Vapidly religious. Outwardly appalled at Mousy's stubborn ways, but secretly approving. Smuggles snacks and gifts during the Hard Years when Mousy is forced to labor in either the stables or the kitchens.
3. Boy Standing. Some kind of wise-ass higher-up. Often partners with The Bitch to make the other's lives hell. Oh, but wait. He'll grow up to be cute and dashing, and will undoubtedly fall for Mousy at some point. Sorry though, hard-nosed girls don't go for spoiled-brat sons of viziers or dukes or whatever. He probably ends up with Blondie as consolation.
4. Sullen Boy on Wall. Love Interest, duh. Evil tempered but fair. Roams the grounds viciously defending--no, viciously tormenting--the castle geese and chickens and mice. Hates The Bitch (though she flounces around him enough, to be sure). Best friends with Boy Standing (though that relationship is weak and will eventually dissolve due to someone's betrayal). Goes off to adventure or crusade and comes back lean and scarred, and totally hot.
5. Boy Sitting. Look at that shirt. Mousy's Gay Friend.
Oh, and at some point they had a pompous tutor who fell off a wall.