But finally allowed that angels are essentially the superheroes of a prewar generation. All she needed was a suitable moniker.J: We can call you Sweet Sixteee, Grandma. Or The Silver Nibbler. Maybe The Baker's Bane. No, I've got it! Grandmacaroon!

One day, when he was in a merry mood, he made a looking-glass which had the power of making everything good or beautiful that was reflected in it almost shrink to nothing, while everything that was worthless and bad looked increased in size and worse than ever. --From Hans Christian Andersen's The Snow Queen
I was lost for ideas and thought to seek stimulus from the personal favorite of a personal favorite. I'd never read The Snow Queen. It's fantastic--despite my fears that approaching it with agendum would wither its effects. Seems I work well through second-hand inspiration.
Not many changes through the years. The sweatshirt varies. And the state of fade on the cargo pants. Otherwise, remaining a faithful fan of swirling a little milky craze into the dayz.
Flight of the Possum.
Twice now, this week past, I've been interrupted mid-sentence with a jeepers-lookit-the-time. I feel compelled to say that both conversations involved a rather strident, rather one-sided rant involving Children of Hurin. Possibly the phrase "forged by a dark elf" was used. Considering the verbal liscense I've given myself regarding the book, and the inevitable fallout, who can tell? But it seems I am that guy.For years. Years. Through the murder and betrayal and strife and that pesky moustache hair.

Tried compiling a list of excuses intended to leave me blameless for the objectionable anemia of ^this^ piece. Far-fetched ones involving eyesight and invisible cloaks. Reasonable ones dealing with desert venues and the effects of sunbleaching. In the end, I was left only with the weighty evidence of Artistic Deficiency.
That being said, there are a few lessons to be learned. One being: "Pick up the Magenta every once in a while"--will do you good. Another: "Five more minutes spent on bricks is always well advised". And a third: "Never, ever spurn the services of a roadside crone." They may smell like last week's golumpki, but those witches routinely roll the supersecretdownfalls of all royalty into every dirty shirtsleeve, every crusty sock.









I suppose it's true love. The bastard was well gone when I entered, slumped at his post, carrot-standard slipping in his grip. Lidlessly staring at the glass Korean dragon perched on the dresser opposite.

Thank you for helping Peter S. Beagle
by purchasing the new DVD of THE LAST UNICORN from Conlan Press, instead of from
somewhere else. More than half of what you just spent will go to support Peter
and his projects — but if you had bought it somewhere else, Peter would have
gotten nothing.Here's the situation in a nutshell:
Granada Media International (the English company that
owns the animated film of THE LAST UNICORN) has sold more than a million copies
on DVD and videotape since 1999. By contract, they owe Peter hundreds of
thousands of dollars in royalties, but so far they have refused to pay him a
cent.
Peter has fought
for three years to get his due, so far without success.
He still isn't
getting any royalties from the DVD you just bought, either (not as long as
Granada keeps stonewalling).
However, the people at Lionsgate
Entertainment (the film's American distributor) are great folks. To make it
possible for American fans of THE LAST UNICORN to finally own a GOOD version,
they are putting out this special digitally-remastered 25th Anniversary
Widescreen DVD. And to help Peter, they have agreed to let us sell copies via
the Conlan Press website. By purchasing here you have put money straight into
Peter's pocket and helped him in his quest for justice.
Please spread
the word. If you know anyone who wants to buy this DVD, tell them why they
should buy it here.Thank you very much! (And thanks to Lionsgate for caring.)
If you'd like to know more about the situation, and what you can do
about it, go to www.conlanpress.com/youcanhelp.








Piece #97 in the series of irrecognizable, vaguely referenced scenes from The Greats.
The first three Googles for bridge troll have to do with some funnybusiness out west. A couple of homeless guys decided it would be good fun to camp below overpasses and harass pedestrians. Not that I don't applaud a vigorous return to traditions, but there's not a billy goat or gold piece to be seen--just plain Colorado hippietrash.

Well, they are.
Would anyone believe me if I said it lost a certain something during scanning?
Well, you'd be a chump.
God dammit.
I'd like to produce its stunning mate from my apron-folds and <poof> transformation, but all I've got are some glass shards and a suffocated rat.
From Her Lady's journals:But the parties changed to lunches and the lunches to morning walks--strange that the early hours of the day are the most intimate. Perhaps it was the quiet, for we rarely talked unless it was to the birds. He would say something, laugh, and turn to confer with the long-lived crows that watched the grounds. Eventually I learned enough of their language to hear bits, but I've never taken to twittering on my own.
He was shy but dressed himself in yellows. Large, but graceful. His hands were stained the color of cherries, and he whistled faultlessly, if tunelessly. He smelled of dirt and water and of days in the sun and his skin was waxen in the way of very fat men. But if his waistcoats were wide, so were his orchards, and we married after a year. I wore a pink bow in my hair that day and ever after.
And after two years of marriage, I found the hedgemaze.
Was aiming for bohemian, but can't help feeling I just drew a bunch of dirty hippies on the road to either a remote Fourth of July celebration or their next Boss concert. I'm guessing it's the red stripes. Next time less fire(works) and more brimstone.